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	<title>Comments on: Mark Cuban&#8217;s take on online fandom</title>
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		<title>By: Enelya Oronar</title>
		<link>http://www.onlinefandom.com/archives/mark-cubans-take-on-online-fandom/comment-page-1/#comment-49</link>
		<dc:creator>Enelya Oronar</dc:creator>
		<pubDate>Tue, 19 Sep 2006 14:29:39 +0000</pubDate>
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		<description>It is interesting to consider the origins of ff and reflect on the current issues involving copyright infringement.

Technically, the original fanzines were published materials in the sense that someone printed and copied them for mass distribution.  No one profited (at least they were not supposed to) and I do not recall reading information on copyright violations. (But this is not an area I spent much time researching.)

I consider the recent youtube – fan video production a direct descendant of fanzines.  With the advance in technology and the ability for even a minimally adept person to create a music video based on a particular fandom or pairing within a fandom, individuals are creating there own stories in a new medium.

Although I have a basic understanding of the laws governing copyright restrictions, I am curious how a suit against youtube would develop.  I would suspect a similar agreement would materialize as did with Warner Brothers. Of course, if Warner Bros does not like a video, and that video does not get posted on youtube – who is to stop the creative force behind the video from posting it on another site?  I think ‘Brokeback to the future, is a prime example of how fast a good video can spread with or without the force of Youtube behind it.  Personally, I must have received four links to that video and only one was on youtube.

Certainly an interesting series of ‘negotiations’ to follow.  I don’t think youtube will get shut down, but I could see something similar to the napster cases resulting from all this fussing.  Membership to youtube then requires a ‘fee’ to cover the copyright issues, websites will have ASCAP or BMI logos in the lower right corner of every page. But even with the RIAA around, I think youtube is a force that will sustain.</description>
		<content:encoded><![CDATA[<p>It is interesting to consider the origins of ff and reflect on the current issues involving copyright infringement.</p>
<p>Technically, the original fanzines were published materials in the sense that someone printed and copied them for mass distribution.  No one profited (at least they were not supposed to) and I do not recall reading information on copyright violations. (But this is not an area I spent much time researching.)</p>
<p>I consider the recent youtube – fan video production a direct descendant of fanzines.  With the advance in technology and the ability for even a minimally adept person to create a music video based on a particular fandom or pairing within a fandom, individuals are creating there own stories in a new medium.</p>
<p>Although I have a basic understanding of the laws governing copyright restrictions, I am curious how a suit against youtube would develop.  I would suspect a similar agreement would materialize as did with Warner Brothers. Of course, if Warner Bros does not like a video, and that video does not get posted on youtube – who is to stop the creative force behind the video from posting it on another site?  I think ‘Brokeback to the future, is a prime example of how fast a good video can spread with or without the force of Youtube behind it.  Personally, I must have received four links to that video and only one was on youtube.</p>
<p>Certainly an interesting series of ‘negotiations’ to follow.  I don’t think youtube will get shut down, but I could see something similar to the napster cases resulting from all this fussing.  Membership to youtube then requires a ‘fee’ to cover the copyright issues, websites will have ASCAP or BMI logos in the lower right corner of every page. But even with the RIAA around, I think youtube is a force that will sustain.</p>
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		<title>By: Just press play? (How the marketplace is forcing the music business to consider on-demand music.) at spinme.com</title>
		<link>http://www.onlinefandom.com/archives/mark-cubans-take-on-online-fandom/comment-page-1/#comment-47</link>
		<dc:creator>Just press play? (How the marketplace is forcing the music business to consider on-demand music.) at spinme.com</dc:creator>
		<pubDate>Mon, 18 Sep 2006 21:06:13 +0000</pubDate>
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		<description>[...] Mark Cuban notes in an e-mail to Nancy Baym that if YouTube had sprouted up two or three years earlier, the RIAA would have toasted them for s&#8217;mores in a heartbeat. (Those are my words, not his, because it&#8217;s getting close to dinner time on the east coast.) If YouTube is considered Web 2.0, let me share some firsthand experience of how it went down during Web 1.0, so we can marvel at how different things are today. [...]</description>
		<content:encoded><![CDATA[<p>[...] Mark Cuban notes in an e-mail to Nancy Baym that if YouTube had sprouted up two or three years earlier, the RIAA would have toasted them for s&#8217;mores in a heartbeat. (Those are my words, not his, because it&#8217;s getting close to dinner time on the east coast.) If YouTube is considered Web 2.0, let me share some firsthand experience of how it went down during Web 1.0, so we can marvel at how different things are today. [...]</p>
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